- #ALL THE FOUR THIRDS SYSTEM LENS LENSES MANUAL#
- #ALL THE FOUR THIRDS SYSTEM LENS LENSES FULL#
- #ALL THE FOUR THIRDS SYSTEM LENS LENSES PRO#
Another thing to consider is the lack of a filter thread, so you’ll have to look for an adapter in order to attach filters. It is also large and heavier than many other products mentioned here. The only small negatives are the softer corners at f2.8 (10mm and 14mm only) and small flares that can be a bit annoying at the shortest focal length.
But perhaps the aspect that surprised me the most was the close focus capabilities of just 7.5cm, which make this product an interesting solution for semi-macro shots with an unusual wide view. Sharpness is excellent across the frame at all apertures and, as you can imagine, the constant f/2.8 aperture makes this lens more versatile for all sorts of low light work.
#ALL THE FOUR THIRDS SYSTEM LENS LENSES MANUAL#
The focus ring can be pulled back to switch to manual focus and provide a better experience than pure fly-by-wire rings.
#ALL THE FOUR THIRDS SYSTEM LENS LENSES PRO#
Pro implies a high quality build with weather sealing and the 7-14mm doesn’t disappoint. If you need a bright constant aperture, and want to go as wide as possible, then the answer you’re looking for is the Olympus 7-14mm f2.8 Pro. Astro-photography works best if you’re happy to stay at 8mm and f2.8 where coma in the corners is very well contained. I think in most cases it isn’t a problem, as you can take advantage of the in-body stabilisation of Olympus and Panasonic cameras, so the only situation where you might want to look elsewhere is if you need a lens like this for events. The only real limitation is the non-constant aperture. The cherry on top for video makers is that it behaves like a para-focal lens (the focus point doesn’t change when zooming in or out). The AF motor is fast and silent as you would expect from this kind of product. It can take 67mm filters making it a more convenient choice if you like long exposures photography. The build quality is premium with an all-metal construction, weather sealing, and precise and smooth rings. Second, it offers a nice balance between size, weight and price in comparison to the larger and more expensive M.Zuiko 7-14mm f/2.8. The only thing you’ll come across are small ghost flares when shooting into direct light. There is no vignetting, chromatic aberration or distortion to speak of.
The 23cm minimum focus distance is constant through the entire zoom range and the bokeh is surprisingly pleasant. Our favourite: Panasonic Leica DG Vario-Elmarit 8-18mm f/2.8-4 ASPH.Įquivalent field of view in 35mm format: 16-36mmĪfter reviewing this lens two yeas ago, it immediately became our favourite of all the wide angle zoom lenses we’ve tested.įirst of all, the optical quality is superb across the frame – it’s the very best the system has to offer. Although wide-angle zooms don’t provide the same flexibility as standard zooms, they start from a shorter focal length and give you an interesting range of fields of view to work with. You can’t beat the convenience and versatility of a zoom lens. Wide Angle Zoom Lenses for Micro Four Thirds
#ALL THE FOUR THIRDS SYSTEM LENS LENSES FULL#
To know more about our ethics, you can visit our full disclosure page. If you decide to buy something after clicking the link, we will receive a small commission. Within the article, there are affiliate links. We were not asked to write anything about these products, nor were we provided any compensation of any kind. I prefer to mention this here rather than repeating the same sentence throughout the rest of the article.Įthics statement: All opinions expressed in this article are based on our real-world experience with each lens. Olympus and Panasonic rely on in-body image stabilisation (5-axis stabilisation) and, except for older models, most of the current line-up has IBIS (excluding specialised cameras such as the GH5S). Note II: all the lenses listed here lack optical stabilisation. I’ve mentioned these products briefly at the end with a few useful links to full comparison articles. However to keep the article more concise, I’ve excluded them from the main list. Note: many standard zooms (including kit lenses) have a range that starts from 12mm or 14mm, allowing them to qualify as wide angle lenses. We are lucky enough to have tested and compared most of these lenses, so listing them along with our personal recommendations felt like the next logical step. The Micro Four Thirds system has been around for some time now so there is a good amount of choice, regardless of whether you prioritise high quality, portability or affordability. They are great companions for landscapes, architecture and astro-photography, but also work well for events and other genres where a wide angle of view can enrich your work and vision. Wide-angle lenses can be a lot of fun because they allow you to play with perspective and geometry like no other type of lens.
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